The 1980s cult classic Return of the Killer Tomatoes, a sequel to Attack of the Killer Tomatoes, is a campy extravaganza that embodies the essence of absurdity, ridiculousness, and genuine hilarity. The film picks up 10 years after the events of the original, where America has outlawed tomatoes due to their perceived menace, leading to creative reinterpretations of traditional tomato-centric recipes. The story follows Wilbur Finletter, the hero of the Great Tomato War, who now owns a pizzeria with his nephew Chad, where they encounter Dr. Gangreen, the mad scientist behind the rampaging tomatoes, and his new creation, Tara, a human replica made from a tomato.
The film is replete with absurd moments, from the background noise muttering of the TV to the revelation that Tara is actually a tomato-eating plant food, and even the pantomime getting punched in the face. The cast, particularly George Clooney in a memorable cameo, plays the over-the-top humor with great gusto. However, Return of the Killer Tomatoes is not merely a silly romp; it is also a cleverly satirical commentary on product placement, rom-coms, merchandising, and more.
A Still From Return of the Killer Tomatoes (Photo: Return of the Killer Tomatoes)
The film begins with a parody of the local cable show One Dollar Movie, and later features a rom-com montage with the hilariously titled song “Touch Me There.” The breaking of the fourth wall during a product placement gag is a standout moment, as Clooney and another character engage in a series of absurd product placements. The film’s satire is cleverly disguised as ridiculousness, lampooning the commercialism of the 1980s and the excesses of Hollywood.
The film’s climax, featuring a little girl holding a plush F.T. doll, is a clever jab at merchandising, ranking alongside Mel Brooks’ Spaceballs. Return of the Killer Tomatoes may not be as well-remembered as some of its contemporaries, but it is a camp classic worth rediscovering. With its genuine humor, ridiculous premise, and clever satire, it is a film that will leave you in stitches and make you laugh long after the credits roll. As George Clooney himself would tell you, Return of the Killer Tomatoes is a misstep worth taking. The film’s enduring appeal lies in its ability to offend and delight audiences simultaneously, making it a true masterpiece of campy cinema.
