Saul Bass, a master graphic designer and filmmaker, has had a profound impact on the film industry with his bold and innovative work. Among his lesser-known but charming endeavors is the 1974 sci-fi horror film Phase IV, a testament to his unwavering confidence and artistic vision. Bass’s iconic portfolio boasts striking posters for films like Vertigo and The Shining, as well as memorable title sequences for prominent directors like Martin Scorsese, Alfred Hitchcock, and Otto Preminger.
Phase IV is a visually striking film that explores the intriguing topic of ants, which defy their natural predators and pose a threat to humanity. The narrative follows Dr. Lesko and Dr. Hubbs as they investigate a mysterious ant colony in the desert, where the ants’ behavior becomes increasingly erratic. The cinematography is immersive, with Ken Middleham’s microphotography creating a disquieting atmosphere as the cameras zoom in on the ants’ every movement. The lack of gore and brutality heightens the sense of unease, allowing the audience to confront the ants’ primal instincts.
Saul Bass (Via Saul Bass/Twitter)
Saul Bass’s original, esoteric ending adds to the film’s mystique, but the studio replaced it with a more conventional conclusion, a testament to the director’s willingness to push boundaries. The original finale, featuring a surreal montage of images, leans towards expressionism, leaving audiences questioning the ants’ ultimate goal. This bold approach and experimental nature solidify Phase IV’s status as a standout in both science fiction and horror genres.
Despite not receiving the recognition it deserved during its initial release, Phase IV’s influence can be seen in the bold and original storytelling that has followed. Bass’s unwavering vision and innovative approach have left a lasting impact on the film industry, making Phase IV a fascinating and underrated film that continues to charm audiences.
