The Whale, Darren Aronofsky’s latest film, is a disappointing and emotionally draining experience that fails to deliver on its potential. Instead of poignant storytelling and stylistic flair, the film relies on manipulative melodrama and shock value to elicit emotion from the audience. The use of a prosthetic suit instead of casting an obese actor is a superficial attempt to heighten the film’s emotional impact, conforming to a “you have to see it to believe it” marketing message.
The story follows Charlie, a morbidly obese English teacher, as he reflects on his life and attempts to reconnect with his estranged teenage daughter. While the performances of Brendan Fraser and Sadie Sink are deserving of praise, Aronofsky’s direction is heavy-handed and exploitative. The film’s focus on Charlie’s trauma and humiliation is relentless, leaving the audience feeling uncomfortable and miserable.
The casting of Brendan Fraser is particularly problematic. As an actor known for his public struggles, Fraser is given a character who is insulted, mocked, and abused, which feels manipulative and cruel. The film’s treatment of Charlie’s optimism is equally puzzling, as it raises questions about the point of making his life so miserable.
A Still From The Whale 2022 (Photo: The Whale)
Aronofsky’s lack of subtlety is evident throughout the film. Instead of slowly introducing Charlie’s personal issues, the film throws them at the audience with little nuance or tact. The ending sequence, which features Charlie binge-eating, is tonally miscalculated and looks at Charlie’s actions with contempt.
While there is a great idea behind The Whale, the film ultimately falls flat due to its focus on spectacle over substance. The performances are sincere, but the film’s lack of depth and insight makes it feel empty and hollow. The Whale is a disappointing and frustrating experience that fails to live up to its potential.
