Forgetting Sarah Marshall, a romantic comedy released in 2008, is often praised for its genuine human emotion and raunchiness. However, the film’s portrayal of its titular character, Sarah Marshall, is problematic. The movie villainizes Sarah without properly telling her side of the story, making it difficult to accept the film’s final conclusion. The film’s double standard is evident as Peter, the male protagonist, is rewarded with a new loving relationship, while Sarah is left miserable and portrayed as pathetic and unlovable.
The movie’s failure to explore the complexities of a failed relationship is a significant flaw. Instead of acknowledging Peter’s role in the demise of his relationship with Sarah, the film portrays him as the victim and Sarah as the villain. Sarah’s character is treated as a catalyst for Peter’s growth and happiness, rather than a fully fleshed-out character with her own agency and emotions.
A Still From Forgetting Sarah Marshall (Photo: Forgetting Sarah Marshall)
The film’s conclusion reinforces this double standard, with Peter telling Sarah that she is the devil, signaling to the audience that the movie views her character as evil. There is no redemption arc for Sarah, and she is instead punished for her mistakes. In contrast, Peter’s mistakes are forgiven, and he is rewarded with a new relationship.
The movie’s focus on Peter’s growth and happiness comes at the expense of Sarah’s character development. The film’s portrayal of Sarah as a shallow and unlovable character is unfair and inaccurate. Despite her flaws, Sarah is a complex and multidimensional character who deserves better than to be reduced to a caricature.
The film’s success lies in its nuanced portrayal of its characters’ flaws and imperfections. The performances of Jason Segel and Kristen Bell are standout, and their chemistry is undeniable. However, the movie’s double standard and poor treatment of Sarah Marshall’s character tarnish its otherwise unique rom-com credentials.
