Kalki 2898 AD, directed by Nag Ashwin, is a sci-fi epic that effectively marries the worlds of ancient mythology and futuristic technology. The film is set in a dystopian future where society is on the brink of collapse, ruled by corrupt powers exploiting technology and religion. The story follows Bhairava, a rogue bounty hunter, who becomes entangled in a quest to uncover the truth about his past and his connection to the prophesized warrior Kalki, who is believed to be the destined savior of humanity.
The film’s worldbuilding is one of its strongest aspects, as it skillfully integrates mythological elements with sci-fi concepts. The future era provides a creative canvas for exploring how supernatural forces play out in a futuristic setting, resulting in some unique and memorable set pieces. The film’s visuals are also noteworthy, with impressive battles and action sequences that showcase the power of the characters.
The cast of Kalki 2898 AD is equally strong, with standout performances from Prabhas as Bhairava and Amitabh Bachchan as Ashwatthama, the ancient warrior. Deepika Padukone shines as Sumati, the woman destined to give birth to Kalki, and Kamal Haasan brings menace to the role of Supreme Yaskin, the god-king.
Kalki 2898 AD (Image via Getty)
While the film excels in its worldbuilding and performances, it is not without its flaws. The plot meanders in the first half, with some characters feeling underutilized or sent on sidequests that distract from the main narrative. Additionally, some plot choices feel rushed or unexplained, such as Bhairava’s sudden transformation into a hero. These missteps aside, Kalki 2898 AD is a strong epic that successfully tells a big story with memorable characters, memorable set pieces, and a unique blend of mythology and science fiction.
As the most expensive movie yet produced in India, Kalki 2898 AD is an ambitious film that sets the stage for future projects. With its engaging worldbuilding, strong performances, and memorable action sequences, it is a film worth visiting, even if it requires some patience to get through its less-than-perfect plot.
