Anime

“Reframe Lab” is a project to develop “play” and “Manabi” that nurture rich imagination and build a platform that connects art, education, medical care, and welfare.

We have been active since 2018 under the co-sponsorship of the certified NPO PIECES and the general incorporated association Whole Universe. In fiscal 2020, under the theme of “playing with Mienaimono,” we have collaborated with various artists to develop a “play” program that allows you to feel, experience, and cultivate your imagination. This time, a book and animation, “Morumetamo,” are born from this project. To commemorate this completion, an exhibition will be held from July 22nd (Thursday) to August 9th (Monday / holiday) at the new space BaBaBa in Takadanobaba.

The story of metamorphosis (transformation), in which what I thought to be “myself” at one point transforms into water, birds, and wind, from bacteria in the soil to the universe.

The original story was produced by Reframe Lab, the visuals for picture books and animation by artist Ryo Hirano, the music by OLAibi, and the narration by KOM_I. In addition, the picture book has a column page for adults and a guide on how to play the workshop developed by Reframe Lab, entitled “Observation Notes for Play and Manabi.” We have recorded columns by people from various fields under “the possibility of play.”

Your inner universe and play with the outer universe.

If your child feels lonely or lonely now, and if you have any doubts about this world, how should we deal with it? Feeling doubts is also the power of the person. Every experience and emotion (joy, relief, anger, anxiety, confusion) in you is a vital sign of knowing yourself and may one day be your food.
While perceiving them as “treasures of the inner universe,” let’s play with the “outer universe” where forests, soil, fire, etc., are linked from the sea to the sky. I made such a story “Morumetamo.”

Enjoy this world with play and imagination.

It is known that social turmoil and crises caused by natural disasters and economic problems, including the spread of coronavirus infection, significantly impact our bodies and minds. It also comes from indirect experiences such as media coverage, whether or not you faced a crisis. At that time, research has shown that what is essential for children is “play and imagination” and that it is an appropriate relationship between adults and children.

Therefore, using the power of “play” that everyone has as a clue, we not only look at the future society as “things that can be seen” but also give signs to “mienaimono” such as life and non-life, mind, and another world. We have launched a program to feel, imagine, and go back and forth between diverse nature.

Fan administration in anime can now and again feel coarse and manipulative, yet these 10 Series demonstrate that it doesn’t generally need to be like this.

Fanservice, or physically intriguing symbolism included for the fans above account significance, has consistently been essential for anime. It’s additionally perhaps the most disputable component of the medium and is frequently reprimanded for heading out new fans. This bodes well, as it very well may be difficult for a novice to treat a show appropriately when each lady on the screen has physiologically far-fetched extents.

While some think that anime needs to grow up and move past fanservice out and out, others fight that the issue isn’t fanservice as a rule, yet explicitly modest or terrible fanservice. Undoubtedly, there are models out there of fanservice that have their own stylish legitimacy or is sent to undercut crowd assumptions strangely.

8.THAT Scene In End Of Evangelion

Maybe more precisely depicted as “fan damage,” that one scene in End of Evangelion is conceivably the film’s generally notorious—and that is saying a great deal. Pundits regularly bring up that fanservice in anime is as often as possible exploitive, with female characters being uncovered reluctantly for the sexual satisfaction of the crowd. Weakness is frequently played up, with the object of the fanservice having minimal account say in the matter.

Such is the situation in End of Evangelion, however, that style of “fanservice” is taken to its legitimately astonishing end. Asuka, in a weak position, is coincidentally presented to Shinji. Where other anime may end the scene there, this one continues onward. The result is without a moment’s delay profoundly upsetting from an accounting viewpoint, yet in addition convincing on a metatextual level, as it powers the crowd to stand up to their relationship with fanservice all in all.

7.Sayonara Zetsubou Sensei’s Outrageous Censorship

Anime is celebrated for being really creative with T.V. oversight. Mysteriously brilliant light emissions, strategically located articles, or birds in flight are altogether devices that have been utilized to conceal the spaces of characters that aren’t early evening proper. No ifs, and, or buts, however, Sayonara Zetsubou Sensei takes the cake for the most irregular strategy; the show essentially mortars the essence of one of its voice entertainers everywhere.

It works for Zetsubou Sensei in light of the fact that the anime is a parody that worries itself to some degree with following basic anime figures of speech to their coherent, regularly ludicrous, limits. Stepping Maeda-Kun’s face everywhere is by all accounts a reference to anime’s crazy control, just as being really clever by its own doing.

6.Free’s Audience Stand-In

Free! is a games anime about swimming, however, a not-so-inconspicuous piece of the show’s allure is the collection of strong anime young men who invest all their energy skipping about in the water. Honestly, this show has more pulling out all the stops than only fanservice; there’s an essentially expressed story about growing up and some convincing games dramatization here as well—at the same time, you know, muscles.

The club’s chief and one of the show’s couples of significant female characters is Gou Matsuoka, who, obviously, has something of partiality for rear arm muscles. It’s hard not to feel like Gou is here to some degree to wink at the crowd a piece. She over the top muscle fixation appears to move toward the watcher that the show knows why its fans are watching it in any case.

5.Kill La Kill & Nudity

Studio Trigger’s Kill la Kill gets pretty needless with its fanservice. The outfits that the characters do—or, maybe more properly, don’t—wear are regularly incredibly hypersexualized, in any event, for anime. Truth be told, these outfits are incredible to such an extent that they draw consideration towards a portion of the show’s focal topics.

Murder la Kill needs to investigate thoughts of accepted practices and assumptions, one of the chiefs of which is dress, unobtrusiveness, and whether there’s worth in those ideas. Oneself delivered openness of characters in this show is frequently introduced as an engaging encounter; by pushing off pieces of clothing and beating the social shame related with such a training, the characters who do so plainly acquire the force important to crush their foes—or perhaps the specialists simply needed to draw hypersexualized outfits, who can say for sure.

4.Michiko’s Entire Wardrobe

Michiko Malandro is one portion of the pair that makes Sayo Yamamoto’s Michiko and Hatchin so fascinating. She’s an ex-hoodlum on a journey to track down her missing ex, and, with Hatchin close behind, she’ll need to defeat rival packs, professional killers, quack specialists, and displeased sweethearts en route.

Michiko is continually wearing “expressive” outfits. While that is normal for female characters in anime, it works for Michiko for various reasons. In the first place, the garments she wears are conceivable for the setting; she isn’t rushing into dream fights wearing a two-piece, for instance. Second, the outfits she picks suit her character; Michiko should be cool, attractive, and skilled, so it bodes well that she would select such garments.

3.Every Woman In Space Adventure Cobra

Anime from the 70s and 80s appeared to have something of a liking for adorable womanizers; characters who maybe weren’t the most brilliant, yet were shockingly equipped when things got last possible minute. Consider Lupin III or Ryou from City Hunter, for instance. Cobra, from Osamu Dezaki’s Space Adventure Cobra, is one such character, and he typically experiences various insufficiently clad space ladies all through his undertakings.

Certainly, there truly isn’t much here that challenges topical standards or sabotages crowd assumptions, however, the crazy outfits of Space Adventure Cobra get a pass for looking great. These individuals seem as though they bounced off the front of some thick 70s science fiction novel, however in the most ideal way.

2.K-On!’S Implied Fanservice

What’s wrong? It’s simply a bowl of rice, right? Wrong! For better or for more awful, the coincidental upskirt shot is one of the most established fanservice procedures in the whole vehicle of anime, and, accordingly, it has become a suffering image of fanservice by and large.

The solitary issue is that K-On! is an Adaptation pointed toward restraining a large part of the fanservice present in the source material, so how can one adjust a fanservice second while simultaneously making it less unequivocal? Indeed, just slice to a rice bowl. To the unenlightened, this probably won’t appear as though much, yet the individuals who have been watching anime for a really long time will quickly see the significance behind the image.

1.Fujiko Mine & Sex Positivity

Fanservice in anime can feel exploitive best-case scenario. Generally, the female characters who are the subject of said fanservice have a little office over their own sexuality; they’re frequently uncovered coincidentally for comedic purposes or for the stimulation of the watcher. In these examples, the subtext implies that female sexuality is something secret that is uncovered unintentionally or by the activities of a male character.

Chief Sayo Yamamoto overturns this plan in Lupin III: The Woman Called Fujiko Mine. This is a brazenly attractive show with sufficient nakedness to make a Highschool DxD fan become flushed, however, the basic contrast here is that the show’s hero, Fujiko Mine, consistently holds essential organization over her sexuality, here and there utilizing it as an apparatus for her potential benefit as a criminal.

Ufotable Studio has been ascending in positions with its manifestations like Demon Slayer and the Fate Series. Here are the studio’s ideal, positioned.

Anime studios fill in as the actual Franchise of the whole Japanese movement industry. Because of this explanation, each time an anime becomes famous online and accomplishes overall approval, watchers can’t resist the urge to discover the studio behind it and look at different shows made by it.

Recently, Ufotable Studio has been ascending in positions with its manifestations like Demon Slayer and the Fate Series. Established in the year 2000, the anime studio has set elevated requirements for the business by reliably delivering quality substance. So albeit most fans might be comfortable with their more famous shows, they should try their other secret diamonds out.

8.Katsugeki Touken Ranbu (6.73)

Game anime variations have an awful rep, and it’s reasonable why. Their tangled and exceptionally complex stories once in a while decipher well on screen. Notwithstanding, Ufotalble’s Katsugeki Touken Ranbu is among the couple of game variations that can be appreciated by both gamers and non-gamers.

For the ones curious about its source, its other history reason and samurai activity are sufficient to make it an advantageous Series. Then again, for the ones knowledgeable with its unique game, the anime’s allure comes from its heavenly creation and character profundity, the two of which supplement the storyline of the game.

7.Futakoi Alternative (6.90)

All around arranged activity Episodes and quality liveliness can just take a show up until this point. In any case, a holding storyline is a stuff to make watchers stay, and that is actually what Futakoi Alternative offers. While it starts with a progression of over-the-top activity groupings, it gradually floats into an amusing drama with gags that hit more than they miss.

Exactly when a watcher begins expecting that it’s a happy romantic comedy about investigators, it transforms into a genuine tone and turns out to be vigorously character-driven. The show makes these class advances so consistently, it’s difficult to accept that the entirety of its various curves is essential for a similar Series. Ufotable’s apparently exploratory methodology of shuffling various classifications with this one obviously functions admirably, however it may not befit everybody’s taste.

6.Ninja Nonsense (6.91)

As the title of this one proposes, it is pretty much of a spoof that depends on ridiculous humor and a ton of fanservice. Indeed, even its reason is basic and rotates around the misfortunes of a young lady who decisively meets a ninja-in-preparing and gets involved in the strange minimal universe of silly celebrating ninjas.

The actual plot gives watchers the feeling that it’s one senseless anime, however, that is its general purpose. It doesn’t make a decent attempt to blend classifications and just conveys what it guarantees: unending gag reels and funny shows. So watchers who get into this one exclusively relying upon its chuckle worth will surely not be disillusioned.

5.God Eater (7.26)

Attack On Titan has set some extremely elevated requirements for dystopian anime. Because of this, God Eater’s generally less broad world-building and shallow story may not interest numerous watchers. Utilizing its dim advanced setup as a simple springboard, God Eater dives straight into the activity, where an extraordinary human armed force battles horrible beasts.

Albeit the show’s storyline is genuinely unsurprising, its immaculate liveliness and sound plan give it an edge. That is the reason, for watchers who are searching for an anime that doesn’t need a lot of passionate and scholarly ventures, this one consummately possesses all the necessary qualities.

4.Gakuen Utopia Manabi Straight! (7.27)

Manabi Straight! takes watchers on a nostalgic excursion through clamoring school hallways, yearly school celebrations, and the everyday tangles of being a young person. It does this while adding a hint of an oppressed world to its cutting edge Series, where birthrates have fallen and schools are in effect drastically shut down.

Watching Manabi Straight! resembles tasting hot cocoa on a virus winter evening. Without overstating its acting, the show satisfies watchers with its powerful topics and refreshingly amusing character tricks.

3.Tales Of Zestiria The Cross (7.29)

Being an RPG Adaptation(that too a CGI one) Tales of Zestiria the X partitions watchers. Be that as it may, numerous fans like every one of the endeavors Ufotable Studio has placed into its activity, which obviously reflects in its noteworthy foundations and epic fight Episodes.

From a storyline stance, albeit the Series will not immediately take a watcher’s breath away, it guarantees a ton of world-building and character improvement, with next to zero fanservice. Also, its focal subject isn’t excessively perplexing and spins around the fight between great versus evil, making it appropriate for all ages.

2.Today’s Menu For The Emiya Family (7.81)

Since Fate/Stay Night is the parent story of Today’s Menu for the Emiya Family, it has a few references to the Franchise focal Holy Grail War. Notwithstanding, in contrast to the first Series, this present one’s a cut-of-life show, deprived of any activity. Set in the serene setting of Fuyuki City, the anime follows Shirou’s gastronomic excursion as he adventures through business sectors and fixings to prepare flavorful suppers for the Emiya family.

From hot salmons to slobber commendable shrimp tempura, the anime strolls a watcher through everything. While it’s grinding away, it ingrains a vibe of decent energy that can assist fans with recuperating the exceptional activity and dramatization of other Fate portions.

1.Fate/Stay Night: Unlimited Blade Works (8.21)

Burning through no time, Unlimited Blade Works jumps into the fifth Holy Grail War—a definitive fight royale between seven magi and their Heroic Spirit workers. Among different magicians, Rin Toosaka discovers her position in the conflict with her worker Archer and desires to win it to get her hands on the exceptionally pined Holy Grail. Much to her dismay that the conflict will lead her to far-fetched collusion with her cohort.

Remaining consistent with the promotion encompassing the Fate Series, Unlimited Blade Works sets exclusive requirements for visual novel variations. Keeping its creation first class all through its runtime, it consummately offsets its activity with the portrayal.

In spite of Tokyo Revengers’ developing notoriety, some still can’t seem to watch the Series, and there are a ton of fascinating realities to cover before they start.

As quite possibly the most profoundly expected shonen anime of the year, Tokyo Revengers is a Series that has presented an arresting plot, stylishly satisfying liveliness, and a considerable rundown of remarkably fascinating characters to watchers all over the place. The Series is the first of its sort to mix perspectives from different kinds including otherworldly, activity, and dramatization, in a particularly uncommon way.

The tale of the hero, Hanagaki Takemichi, depicts genuine issues that fans can identify with, while additionally staying in the domain of sci-fi and dream. Albeit the Series is genuinely new, it has accumulated a great deal of consideration, and many have checked out watch it consistently since its debut in April 2021. In spite of its developing notoriety, some still can’t seem to watch the Series, and there are a ton of fascinating realities to cover before they start.

8.Hanagaki Takemichi Is An Atypical Shonen Protagonist

In contrast to the numerous other active and unquestionably determined heroes, Hanagaki Takemichi is presented as a hesitant, unreliable youngster, who battles with discovering a way throughout everyday life. His absence of direction and his monetary flimsiness makes him envy the rich people in the public eye.

Takemichi’s uninvolved nature and self-deploring see fuel his pointless conduct. He is known for being perpetually remorseful and excessively passionate. It isn’t until he goes back in time that he drops his despicable ways and turns out to be genuinely fearless and decided.

7.It’s Similar To An Isekai Anime But Is Not An Isekai Anime

In the same way as other Series that include time travel, watchers regularly erroneously place it under the isekai subgenre, which is a sort of imagination where at least one character is moved to a different universe. The shift to a substitute world in isekai is typically set off by an inadvertent head injury or a crash with a moving vehicle.

For Takemichi’s situation, his first experience with time travel happens when he is pushed onto the tracks before an approaching train. This gives the Series an isekai-like feel, but since he goes to the past as opposed to a different universe, Tokyo Revengers isn’t considered an isekai anime.

6.It Has An Unprecedented Approach To The Time Travel Genre Of Anime

Takemichi’s excursion back in time is novel in the way that he made a period mystery and was allowed the capacity to go through time freely. Subsequent to voyaging 12 years into the past and momentarily remembering his life as a center schooler, he tells his better half’s more youthful sibling, Naoto Tachibana, of Hinata’s passing, later on, unconsciously making a conundrum on schedule.

Following doing as such, Takemichi is moved back to a present-day timetable where Naoto is a grown-up analyst, who is fit as a fiddle. Naoto and Takemichi at that point set up a Series to cooperate to modify the past and save Hinata.

5.The Story Is Similar To That Of Erased

Perhaps the most ideal approach to get into another Series is to have it help you to remember the one you as of now love. Eradicated, an anime Series delivered in mid-2016, was mainstream among anime fans because of its spellbinding storyline and honorable hero, Satoru Fujinuma.

Like Takemichi, Satoru was sent back on schedule on a self-appointed salvage mission to save his cherished companions and keep passing from happening later on because of previous occasions. The subjects of time travel and chivalry are found in both of these astonishing Series.

4.It Shares The Same Animation Studio As Berserk

The individuals who have tuned into the Series are as of now communicating their fervor and appreciation for its excellent liveliness style. The scrupulousness, shading, and individualized character configuration have not gone undetected.

The Series is created by the profoundly fruitful liveliness studio Liden Films, which is liable for delivering and invigorating numerous other extraordinary Series, including Cells at Work! Code Black. Most outstandingly, Liden Films is the studio behind the anime variation of the capable, late Kentaro Miura’s acclaimed manga Series, Berserk.

3.Hinata’s Younger Brother Is The Most Important Key To The Story

Most shonen heroes have capacities they are brought into the world with or given eventually in their lives. Normally, these superhuman and powerful capacities are ones they can handle all alone. In any case, while Takemichi was talented with the capacity to time travel, it isn’t something he can do autonomously.

After his first time-traveling experience, Takemichi was educated that his ex’s more youthful sibling, Naoto, was the key. Naoto uncovered that for Takemichi to travel 12 years into the past, they should clasp hands to trigger a time-traveling occasion.

2.The Tokyo Manji Gang Is Comprised Of Middle School Delinquents

The Tokyo Manji Gang in the Series is a biker pack like no other. Generally alluded to as Toman, the pack was established by and involved center younger students. In spite of the youthful age of its organizers and individuals, the pack was a profoundly organized one, with a pioneer, bad habit pioneer, and 25 individuals isolated among an aggregate of five divisions.

Driven by Manjiro Sano, otherwise called Mikey, the Tokyo Manji Gang started collectively of center schoolers who trusted in regarding, shielding, and securing each other at all expense, and it was subsequently formed into an undeniable criminal organization.

1.Mikey & Kazuya Are Voiced By The Same English Voice Actor

Notwithstanding being absolutely inverse apparently and character, Mikey, the Tokyo Manji Gang pioneer in Tokyo Revengers, and Kazuya, the pitifully heartfelt, university hero in Rent-A-Girlfriend, make them think in like manner. While they vary in age, the two characters appear to have a similar voice, and that is on the grounds that they do.

Aleks Le, an accomplished American voice entertainer, is the voice for Mikey and Kazuya in the English named renditions of both Series. He is likewise known for his work in Demon Slayer: Kimetsu no Yaiba as the voice of Zenitsu Agatsuma.

In June 2021, the anime in April is about to reach its climax. In recent years, there have been many activities of male voice actors such as theme songs and character songs that are not limited to anime, and they are active in a wide range of fields. In response to such excitement, many male voice actors have started music activities, and the scene has changed to a scene that can be said to be a group of male voice actors.

This time, from such a male voice actor artist scene, Hatanaka Tasuku, Eguchi Takuya, Kimura SubaruI would like to put the spotlight on these three people. Hatanaka Tasuku’s seventh single title song “TWISTED HEARTS” is the OP theme song for the second cool of the anime “Moriarty the Patriot” (TOKYO MX and others). He is in charge of the OP “DYING WISH” of the first cool of the same work. “DYING WISH” is a mix of musical orchestral sounds, hi-hats, and snare rolls that imitate trap music, and is a song that evokes a cinematic mood. This time, “TWISTED HEARTS” is an electro-pop song with less habit, and it is finished as one song that has been added to the previous songs by Tasuku Hatanaka. The dance music-like sound he has been aiming for is fully demonstrated in “Moment For Life” recorded in the coupling. Deep reverb is applied to the rhythm track, the bass sound due to strong distortion fluctuates greatly, and a number of effects such as doubling are used for Hatanaka’s voice, resulting in pops based on EDM. Takuya Eguchi, who has a close relationship with Hatanaka, also released his debut mini-album “EGUISM”. As reflected in the album title, this work reflects Eguchi’s own principle. Unlike Hatanaka’s songs, it starts with “Hello Goodbye” where keyboard instruments and guitar riffs get excited at an uptempo, and “Life goes on” with a post-hardcore to punk-like sound. This work has strong band-oriented content. Composed by Arte Yuki Honda of Refact was in charge, and Eguchi himself participated in four songs along with Honda in the lyrics. For example, regarding the song “Nice Night”, Eguchi says, “I didn’t participate in the songwriting, I left it to Mr. Yuki Honda. I just modified some words that I don’t usually use. “(* 1), and regarding the theme of the album,” It became like this when I collected songs with a favorite atmosphere “(* 2), but the first solo album has a solid taste and feel. It is work that you can feel.

The collaboration song by Subaru Kimura and Taiiku Okazaki is “Oha Suta Theme Song”
On May 26, Okazaki physical education × Subaru Kimura “OT WORKS II” is the release of Okazaki physical education the song “Morning Glory” has been recorded. Kimura and Okazaki have been co-starring in “Oha Suta” (TV Tokyo network) since October 2020, but the song was produced as “Oha Suta theme song” through a project in “Oha Suta”. Was done. “Oha Suta”, which will be mainly viewed by kindergarten children and elementary school students, is a song that is perfect for Kimura and Okazaki, who always have a bright and energetic atmosphere and image, and above all, smiles. “Morning Glory” is born from the atmosphere of these two people. Okazaki sound, which has a hard and trancey techno sound called “Basin Techno”, is combined with Kimura’s rap skill, which raps a firm rhyme, resulting in a gorgeous and powerful song. Especially, the part where the vowels of “auaiu” and “Wacky mood”, “Rap time”, “Surprise”, “Freedom tomorrow”, “I need Guts”, and “Nice self” after entering No. 2 I think that the flow leading to the traditional greeting “Oha !!” is a glimpse of Kimura’s lyric sense.